Sunday, January 26, 2014

A Missed Opportunity - Japanese Vs. Western Animation

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      I have been a big fan of both Japanese animation and of Western animation for most of my life. The one thing that has always bothered me is why doesn’t the West ever have animation with meaningful plot lines?

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      For example, the three largest animated shows created here in the United States over the last twenty years for mass media consumption have to be The Simpsons, South Park, and Family Guy. All three of these series are comedic in nature and follow a very sitcom-like model. There are very few examples of animation that has any kind of meaningful plot line or story to them and shows that have more mature themes on top of that is even less likely. 

      In Japanese animation this is the norm, I think one of the biggest contrasts between these two cultures is that Anime series usually end after one season (two at the most). Their are exceptions (DBZ, anything made by Shonen Jump), but the norm is that these are relatively short.  This offers a lot of advantages for writers, they can write one story arc that is compelling to watch and they approach the beginning of there series with an end game already in mind. Shows that don’t follow this model tend to have a lot of filler (Naruto, Bleach, DBZ to name a few). 

      In American animation we tend to see more of a sitcom model where their is minimal continuity from one episode to the next. This makes the show much more accessible but also requires minimal dedication to the series. I find it odd that with the rise more recently of shows with really deep plot lines (Breaking Bad, Walking Dead, Game of Thrones) that no one has really considered to adapt this to an animated series.

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      However Americans also have the general stigma that animated shows are either meant for kids, or that they should be funny in nature. This is a major diverging point between the two schools of animation. Their are several anime dramas and more are made each year, while in American animation, this is extremely marginalized. 

      If the west ever did decide to pursue an animated series with more of a plot, and meant for a more mature audience I think that it would now be a hard sell. Anime fans would immediately label this as a blatant rip-off of Japan Anime, and Americans would be resistant to adopt the show believing that animation is meant for kids and that the themes in the show are too adult for children. 

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      I suppose on the plus side anime does give the audience a chance to experience parts of Japanese culture. Which I love, it’s something we never really get to see, and it has an authenticity to it. I suppose you could say the same by watching shows like The Simpsons and Family Guy. They do portray a lot of American culture as well. 

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      Are their exceptions to this rule? Of course, I have seen some shows that have been made in the west that have great story lines. “Avatar” is a great series and has had two successful story arcs that are very similar to anime type writing (and have an eastern theme to begin with). Also some of the DC and Marvel animated series have had interesting and unique plot lines. I think that American comic book writing could have a major impact for animation, and hope to see more of this hit the animated medium. 

      Look at the fan base for DC/Marvel, for the movies we all see. The audience is there, now if we can make a compelling animated series. I think that this would be a major success. However if it isn’t adopted by a major network (aka not a “Kid’s network”) it won’t hit that older audience. American’s animation writing needs to move on from a product first (ie toys and product sales) mentality. Animation is just as much an art form as anything else, and since we take such pride in comics, why can’t we move this into animation?

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A "Fables" animates series? I would watch it!

      What do you think? Is the west just behind in this type of writing? Have we missed our opportunity? Are their other avenues we could be pursuing? Or is their something else to anime that the west just cannot imitate? 

Sunday, January 19, 2014

This Gleek's Journey Ends with "The Quarterback"

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      For the past several years I have been a major fan of the “Glee” series. I really liked the series for it’s excellent musical arrangements, great performances, and intelligently written story-lines. However once the first set of students graduated at the end of season 3, the plot and stories have drifted in a major way. The focus has shifted to glee club and Rachel story lines which I felt really split the show in half. 

      I tolerated this in season four and their was some really spectacular song arrangements and some decent crossover between the two “worlds”. However in season five with the passing of Cory Monteith, this has all but evaporated. One episode of the current season had included the Glee cast using puppets, once I saw this, I knew it was time to move on. 

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      The Glee club is now merely an afterthought for the cast members who have been on the show since the beginning. They will be graduating at the end of the current season and will mostly be forgotten as the show will transitioning to focus mainly on Rachel and her NYC cohorts in the sixth and final season. (1)

      When I got word of that being the future direction of the series I realized that this show was going to be derailed. I think that this is the equivalent to what Scrubs had to do in season 9. Most people would consider Scrubs over in season 8, while the last season (I will jokingly refer to the med school as the “New Class”) is merely an afterthought. 

      Glee was a great proof of concept and shed public light on a lot of issues that most shows don’t have the opportunity to do so. (Especially in prime-time). One can only hope another show will take up the torch and continue this process. 

      I will miss the music most of all, I hope another show will be able to fill the void that Glee filled for a several years.

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      I also wanted to talk a little about the last episode for me. “The Quarterback” was a very well written episode that was a fitting tribute to both Finn and Cory Monteith. It also was an excellent episode showing how all different people deal with grief, and you could tell for many of them the grief here was genuine. I was glad to see that most of this episode was done in single takes, and I think that is a tribute to all of the actors in this show. 

      My one complaint was the opening song. “525,600 minutes” was a very cliche choice song for this episode, and essentially felt out of place compared to the rest of the songs in this episode. My own opinions on “Rent” aside, I could have thought of several other songs they could have performed that would have been more fitting. 

      Matthew Morrison (Mr. Schuester), Dot Marie Jones (Coach Bieste), Mark Sailing (Puck), and Mike O’Malley (Kurt’s Dad) really shined in this episode. I was really impressed in how genuine their emotions were. I didn’t really feel that any of it was forced, which I think also shows how much Cory meant to all of them. 


      It was nice to see most of the cast (Former and new) was in the episode. I think Diana Argon was truly missed, and I think a better attempt should have been made to have her in the episode. It feels like she was snubbed. 

      All in all, an emotional but fitting end for me to a great series. I hope that what happens in the next season in a half won’t tarnish the great work they have done up until this point. But for this Gleek, the ride is over.


1 - http://www.hypable.com/2014/01/13/glee-season-5-exclusively-set-nyc/

Sunday, January 12, 2014

Recover - The Power of Eminem's Music to Heal

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      Anyone who has been listening to rap and popular music since the late 90’s knows of the rapper Marshal Mathers, more commonly known as Eminem. If you take a brief look around the internet you can easily find numerous articles criticizing and calling Eminem out for his vulgar and disturbing lyrics.(1) However I want to make a case that the body of work this artist has produced shows a true evolution of a man who had a disastrous home life, the effect that had and how he has managed to grow up despite all of that. I’m going to use his music to back up my claim. 


      This song is considered one of the more disturbing songs which is basically creating a scene of Eminem taking his on again, off again girlfriend/wife to be buried after she had been killed. Oh did I mention that his young daughter is a part of this entire scene? Yeah this is very graphic and even now listening to it I’m disturbed by this. But consider this a way of dealing with his emotions over all that happened between him and Kim, and his daughter being thrown in the middle of this. He truly loved his daughter more than life itself, as this will become more evident in the tracks to come. 


      This song I think was created for two purposes: the first being to show that he was very well aware of how his music was being taken both in the positive sense and in the negative. Rather than his lashing out at the media (which was a lot of his two previous albums) he decided to basically make an internal dialogue. This song I think marks a turning point in his music, a lot of his music in later albums takes a much more mature tone and shows a much larger awareness of his audience, without him “going soft” so to speak. 


      Another song that digs back into his past and family life. In this song you can clearly see that he acknowledged that he had made mistakes. He also talks about the fact that are things he had to do regardless of how much he may or may not like it. This shows a pretty large shift in attitude about his life, and shows the beginning of maturity that we start to see in the previous album. This is a sign of things to come.


      So this album is called “Recovery” and rightfully so. This album shows in my opinion Eminem finally making it. This song along with several others not only removes nearly all that sense of “selfishness” that you can see in his earlier work. This album is not only therapeutic for him, but it is for his listeners as well. This song I think is the clearest example of that as shown in his lyrics:

“I’m not afraid 
to take a stand 
everybody 
come take my hand”


      Now the next album (and newest) cements my position of showing the full evolution of Eminem as a man. 


      This song shows Eminem demonstrating forgiveness to his mother for the life that they had, and understanding that the life he had, she had as well. This shows a clarity and maturity that is not in any of his past work and kinda brings the evolution of Eminem full circle. 

      To listen to his earlier music it would be very difficult to judge Eminem’s music as anything other than a young adult lashing out at the world for the rough hand he was dealt. However listening to the evolution this artist has had now over the past roughly 15 years shows just how powerful using the music medium has been for him. Referring back to Headlights, Eminem has talked about how this song is about “making amends”.(2) Anyone who listens to the body of work that Eminem has can’t help but to root for him and hope to see things get better for him. Anyone who can relate to any of his experiences can take solace in the fact that their is always hope. Seeing that he can power through and get through to the other side despite all that was against him sends a powerful message that we all can relate to and appreciate.